How we check a paper dye lot

Read each face against the approved shade. Then compare the faces with each other to see how evenly the sheet is coloured.
Reel check · coloured paperD65 daylight
SampleStandardLotΔEResult
Top sideagainst standard0.7Pass
Wire sideagainst standard1.6Hold
Two-sidednesstop against wire2.2Hold
Illustrative example. ΔE CMC (2:1) against a tolerance of 1.0. Not instrument data.

Four product families, four behaviours.

FamilyHow it holds and where it goesWatch for
Direct dyesAnionic, with an affinity for cellulose fibre and, less so, for fillers. A cationic fixative such as alum helps retention in deep shades.Shade moves with pH: Direct Yellow 4 is a bright green-yellow in acid and a duller red-yellow in alkali.
Basic dyesCationic, binding to lignin in unbleached and mechanical pulps. Used in newsprint and groundwood papers for very bright shades.Poor light fastness, and poor fixation at neutral to alkaline pH.
Acid dyesAnionic, water soluble and brilliant. Usually need a fixative on cellulose.Calcium and magnesium in hard water can form insoluble salts with anionic dyes.
Fluorescent whitening agentsAbsorb ultraviolet light and re-emit blue light, so white grades look brighter. Wet end or size press.Food-contact paper restricts which brighteners may be used.

Where the colour goes in matters as much as which dye.

01

Wet end

Dye is added to the stock before the sheet forms, so colour reaches the whole sheet. What the fibre does not retain leaves with the white water.

02

Size press

The most common surface route: dye goes on with the size solution. A split approach puts most of the colour at the size press and trims at the wet end.

03

Calender stack

Dye applied at the calender rolls colours the surface of an already formed sheet.

04

Dip dyeing

The sheet passes through a dye bath, for deep or special shades on suitable grades.

The textile version of this problem: shade variation in fabric.

Why the same dye gives a different shade on Tuesday.

01

pH

Most dyes shift with pH. Basic dyes hold in the acid range and fix poorly at neutral pH, so moving from acid to alkaline sizing can change a shade with the dye unchanged.

02

Water hardness

Calcium and magnesium can form insoluble salts with anionic dyes. Swings in hardness show up as swings in shade.

03

Residual chlorine

Oxidising residues bleach dye, so variation in chlorine from broke or water treatment moves the shade. One industry guide targets under 1 ppm.

04

Filler

Kaolin, calcium carbonate and talc take up dye. More filler needs more dye, and uneven filler gives a two-sided sheet.

05

Sizing, refining and drying

Sizing chemistry and refining level change how dye sits in the sheet, and some dyes shift with drying heat, so the wet-end shade is not the shade on the reel.

06

The dye lot

Strength and shade differ from lot to lot, even under one product name. This is the variable a buyer can fix by specification.

What Nython checks before a dye lot ships.

The same sequence as every other product: a specification, a qualified maker, and a lot held to the standard. A dated, named technical opinion, not a certification.

01

Specify the target

A shade target in CIELAB values with a tolerance under D65, plus the pulp, size system, filler load and mill-water conditions it must hold in.

02

Qualify the maker

The plant, the raw materials and the batch records, not only a sample, and the ability to repeat strength and shade from lot to lot.

03

Hold each lot to the standard

Strength and shade against the approved standard, solubility in mill water, insoluble residue and pH, then a mill trial on the machine before bulk.

Paper dyes, in plain terms.

Why does the same paper dye give a different shade from day to day?

Usually something around the dye moved: stock pH, water hardness, residual chlorine, filler level, retention, or the sizing system. The dye lot itself also varies in strength and shade, which is the one cause a buyer can control by specification.

What is the difference between direct and basic dyes for paper?

Direct dyes are anionic and have an affinity for cellulose fibre, so they suit bleached pulps and are common for bright, mid-depth shades. Basic dyes are cationic and bind to lignin-containing pulp, so they are used on newsprint and mechanical-pulp papers, with brilliant shades but poorer light fastness.

Why is one side of the sheet darker than the other?

Two-sidedness often comes from uneven filler and fines retention between the two sides. Fillers such as kaolin, calcium carbonate and talc take up dye, so a side with more filler can look different.

What does a fluorescent whitening agent do?

It absorbs ultraviolet light and re-emits it as blue light, which makes paper look whiter and brighter. It is added at the wet end or the size press, and sometimes alongside a small amount of shading dye.

Do paper dyes for food-contact paper need special care?

Yes. Food-contact paper is subject to rules on which dyes and brighteners may be used, and the rules differ by market. In the US, for example, the FDA restricts the brighteners allowed. Check the rules of the market the paper is sold into before specifying.

Background reading.

Send the shade, the pulp and the size system.

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